{"id":6003,"date":"2021-05-24T12:31:48","date_gmt":"2021-05-24T11:31:48","guid":{"rendered":"http:\/\/isphr.local\/?p=5607"},"modified":"2021-05-24T12:31:48","modified_gmt":"2021-05-24T11:31:48","slug":"2-5-june-2021-musical-networking-in-the-long-19th-century-international-interdisciplinary-online-conference-programme","status":"publish","type":"post","link":"https:\/\/www.hipzg.hr\/en\/2-5-june-2021-musical-networking-in-the-long-19th-century-international-interdisciplinary-online-conference-programme\/","title":{"rendered":"2 – 5 June 2021, MUSICAL NETWORKING IN THE \u2018LONG 19TH CENTURY\u2019 International Interdisciplinary Online Conference Programme"},"content":{"rendered":"

\"Musical_Networking_pozadina_drugo[47917]_01-2\"<\/a><\/p>\n

Organisers:<\/b><\/p>\n

Dept. for the History of Croatian Music, Croatian Academy of Sciences and Arts, Zagreb<\/b><\/p>\n

Croatian Institute for History, Zagreb<\/b><\/p>\n

Croatian Musicological Society, Zagreb<\/b><\/p>\n

\u00a0<\/b><\/p>\n

<\/b>Committee:<\/b><\/p>\n

Ivana Horbec, Croatian Institute for History<\/b><\/p>\n

Vjera Katalini\u0107, Croatian Academy of Sciences and Arts<\/b><\/p>\n

Katja Rado\u0161-Perkovi\u0107, University of Zagreb<\/b><\/p>\n

Sara Ries, Croatian Academy of Sciences and Arts, secretary<\/b><\/p>\n

Stanislav Tuksar, Croatian Academy of Sciences and Arts<\/b><\/p>\n

\u00a0<\/b>\u00a0<\/b><\/p>\n

MUSICAL NETWORKING IN THE \u2018LONG 19TH CENTURY\u2019<\/b><\/p>\n

International Interdisciplinary Online Conference<\/b><\/p>\n

Programme<\/b><\/p>\n

WEDNESDAY, 2 June 2021<\/b><\/p>\n

9:00 Welcome Speeches<\/b><\/p>\n

\u00a0<\/b>KEYNOTE LECTURE<\/b><\/p>\n

9:30\u00a0\u00a0\u00a0\u00a0 Philipp Ther<\/b><\/p>\n

University of Vienna, Institute for East European History<\/p>\n

Haydn, Mozart, and Competing Musical Networks in the Late 18th Century<\/b><\/b><\/p>\n

NETWORKING <\/b><\/p>\n

10:00 \u00a0 Katja Rado\u0161-Perkovi\u0107<\/b><\/p>\n

University of Zagreb, Faculty of Humanities and Social Sciences, Dept. of Italian Studies<\/p>\n

Sorgo’s Italian Network. The Ramifications Based on His Viennese Journal<\/b><\/p>\n

10:20\u00a0\u00a0 Ivana Horbec \u2013 Branko Ostajmer<\/b><\/p>\n

Zagreb, Croatian Institute for History<\/p>\n

The Challenges of Communication in Musical Networking of the Habsburg Monarchy: The Centres of Society and the (Semi)Periphery<\/b><\/p>\n

10:40 \u00a0 Jana Laslav\u00edkov\u00e1<\/b><\/p>\n

Bratislava, Slovak Academy of Sciences, Institute of the History<\/p>\n

From the Metropolis to the Province: Theatre Companies as a Medium of Musical Networks in the Habsburg Monarchy at the End of the 19th Century<\/b><\/p>\n

11:00 \u00a0\u00a0Vjera Katalini\u0107<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n

Zagreb Theatre in the Network of German (Musical) Stages<\/b><\/p>\n

11:20\u00a0\u00a0 Nuppu Koivisto \u2013 Saijaleena Rantanen<\/b><\/p>\n

Helsinki, University of the Arts<\/p>\n

Cosmopolitan Vyborg: A Lost Finnish Cultural City in the 1900s<\/b><\/p>\n

11:40 \u2013 12:00 Discussion <\/b><\/p>\n

12:00 \u2013 12:20 Refreshment<\/b><\/p>\n

12:20\u00a0\u00a0 Stanislav Tuksar<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts<\/p>\n

Franjo Ksaver Kuha\u010d (1834-1911) and His Hungarian Musical Network <\/b><\/p>\n

12:40\u00a0\u00a0 Viktor Velek<\/b><\/p>\n

University of Ostrava, Faculty of Fine Arts and Music<\/p>\n

Vienna: A Place for Musical Networking of Slavs in the \u201cLong\u201d 19th Century<\/b><\/p>\n

13:00\u00a0\u00a0\u00a0 Maru\u0161a Zupan\u010di\u010d<\/b><\/p>\n

Ljubljana, Research Centre of the Slovenian Academy of Sciences and Arts, Institute of Musicology<\/p>\n

The Musical Network of the \u201cImmigrant Musicians\u201d of the Philharmonic Society in Ljubljana until 1919<\/b><\/p>\n

13:20\u00a0\u00a0 Emese S\u00f3falvi<\/b><\/p>\n

Cluj-Napoca, Babe\u0219-Bolyai University, Faculty of Reformed Theology and Music, Music Department<\/p>\n

\u201cMusicus ex Austria\u201d: Georg Ruzitska\u2019s Links to Viennese and Transylvanian Society<\/b><\/p>\n

13:40\u00a0\u00a0 Tom\u00e1\u0161 Slavick\u00fd<\/b><\/p>\n

Prague, National Museum \u2013 Czech Museum of Music<\/p>\n

The Network of Austrian Military Bands and Czech Musicians in the South of the Monarchy<\/b><\/p>\n

14:00 \u2013 14:15 Discussion<\/b><\/p>\n

14:15 \u2013 15:00 Lunch break<\/b><\/p>\n

15:00\u00a0\u00a0 Walter Kurt Kreyszig<\/b><\/p>\n

Saskatoon, University of Saskatchewan, Department of Music \/ Genoa, Conservatorio di musica Niccol\u00f2 Paganini<\/p>\n

Musical Networking in the Long 19th Century between Austria and Canada: Th\u00e9odore Fr\u00e9d\u00e9ric Molt\u2019s Visit with Ludwig van Beethoven in Vienna in Mid-December 1825 as the Beginning of the Beethoven-Reception in Canada<\/b><\/p>\n

PERFORMERS<\/b><\/p>\n

15:20\u00a0\u00a0 Patrick Becker-Naydenov <\/b><\/p>\n

Berlin University of the Arts<\/p>\n

Devil or Priest? Virtuosi in the German Musicological Imagination<\/b><\/p>\n

15:40\u00a0\u00a0 Clare Beesley<\/b><\/p>\n

University of Utrecht, PhD student<\/p>\n

The Art of Persuasion \u2013 an Entrepreneurial Glass Harmonica Player and Her Network of Eminent Influencers <\/b><\/p>\n

16:00\u00a0\u00a0 Lana \u0160ehovi\u0107 Pa\u0107uka<\/b><\/p>\n

Sarajevo, Academy of Music<\/p>\n

Promenade of Croatian Guest Female Musicians through Sarajevo Concert Life (1878 \u2013 1918)<\/b><\/p>\n

16:20\u00a0\u00a0 Christian Breternitz<\/b><\/p>\n

Berlin, Staatliches Institut f\u00fcr Musikforschung Preu\u00dfischer Kulturbesitz<\/p>\n

Wagner Tuba & Co. \u2013 Richard Wagner and His Imagining of New Instruments. A Story of Musical Networking?<\/b><\/p>\n

16:40 \u2013 17:00 Discussion<\/b><\/p>\n

THURSDAY, 3 June 2021<\/b><\/p>\n

WORKSHOP<\/b><\/p>\n

10:00 \u2013 12:00<\/p>\n

Maru\u0161a Zupan\u010di\u010d<\/b> presents a part of her project \u201cInflux of musicians to the Slovene Lands during the long 19th century – their impact and integration\u201d<\/p>\n

Pim van Bree \u2013 Geert Kessels<\/b><\/p>\n

Den Haag, LAB1100<\/p>\n

nodegoat Workshop<\/b><\/p>\n

10:00 Welcome by Maru\u0161a Zupan\u010di\u010d<\/p>\n

10:10 General introduction to nodegoat<\/b><\/p>\n

10:30 Presentation by Maru\u0161a Zupan\u010di\u010d on her nodegoat<\/b> project<\/p>\n

10:45 Learn how to enter data into nodegoat<\/b><\/p>\n

11:00 Break<\/b><\/b><\/p>\n

11:10 Learn how to conceptualise a data model<\/p>\n

11:20 Learn how to implement your data model in nodegoat<\/b><\/p>\n

11:35 Import & Export<\/p>\n

11:50 Q&A<\/p>\n

<\/b>FRIDAY, 4 June 2021<\/b><\/p>\n

9:00\u00a0\u00a0\u00a0\u00a0 KEYNOTE LECTURE<\/b><\/p>\n

Harry White<\/b><\/p>\n

University College Dublin<\/p>\n

Lessons of the Masters<\/i><\/b>: Networking the Authority of Genre in Nineteenth-Century Music<\/b><\/p>\n

COMPOSERS, TEACHERS, STYLES<\/b><\/p>\n

9:30\u00a0\u00a0\u00a0\u00a0 Petra Babi\u0107<\/b><\/p>\n

Zagreb, Independent researcher, PhD student<\/p>\n

Croatian and Hungarian National-Historical Operas as Mediums of Political Representation in Different Political Periods<\/b><\/p>\n

9:50\u00a0\u00a0\u00a0\u00a0 Yasushi Ueda<\/b><\/p>\n

Tokyo University of the Arts<\/p>\n

Constructions of the Image of the \u201cjeu perl\u00e9\u201d for Piano through the Nineteenth Century<\/b><\/p>\n

10:10\u00a0\u00a0 Tatjana \u010cunko<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n

The Paths of the Moderne<\/i> or how did the Moderne<\/i> Come to Croatia?<\/b><\/p>\n

10:30\u00a0\u00a0 John Chun-fai Lam<\/b><\/p>\n

The Chinese University of Hong Kong<\/p>\n

Strings of Sensibility: <\/b>Shamisen<\/i><\/b> and Franco-Japanese Musical Dynamics in Maurice Ravel\u2019s Milieu<\/b><\/p>\n

10:50\u00a0\u00a0 Ivan Moody<\/b><\/p>\n

NOVA University of Lisbon, Centre for Sociology and Musical Aesthetics <\/b><\/p>\n

From Liszt to Lusitania: Networks of Influence in the Life of Jos\u00e9 Vianna da Motta<\/b><\/p>\n

11:10\u00a0\u00a0 Ivana Tomi\u0107 Feri\u0107 \u2013 Maja Milo\u0161evi\u0107 Cari\u0107<\/b><\/p>\n

University of Split, The Arts Academy<\/p>\n

The Activity of Ambro Novak (1899\u20131947) in the Field of Music Criticism: Contemporary Readings and Reflections <\/b><\/p>\n

11:30 \u2013 11:40 Discussion <\/b><\/p>\n

11:40 \u2013 12:00 Refreshment<\/b><\/p>\n

12:00\u00a0\u00a0 Jana Lengov\u00e1<\/b><\/p>\n

Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n

The Slovak Composer J\u00e1n Levoslav Bella and His Study Trip of the Autumn of 1873<\/b><\/p>\n

12:20\u00a0\u00a0 Anna Belinszky<\/b><\/p>\n

Budapest, Liszt Ferenc Academy of Music, PhD student<\/p>\n

The Meanings of Change \u2013 Brahms\u2019s Musical Friendships and the Rewriting of His Piano Trio in B major<\/b><\/p>\n

12:40\u00a0\u00a0 Andrej \u010cepec<\/b><\/p>\n

Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n

Johann Nepomuk Batka as Music Teacher and Concert Performer<\/b><\/p>\n

13:00\u00a0\u00a0 Lis Lewis<\/b><\/p>\n

Winchester University, Centre for the History of Women’s Education<\/p>\n

Charles Nicholson\u2019s Nineteenth-Century London Flute Networks<\/b><\/p>\n

13:20\u00a0\u00a0 \u00c1kos Windhager<\/b><\/p>\n

Budapest, Hungarian Academy of Arts, Research Institute of Art Theory and Methodology<\/p>\n

The Institutionalization of Hungarian Music by \u2018Charismatic Managers\u2019: Franz Liszt, Ferenc Erkel, \u00d6d\u00f6n Mihalovich<\/b><\/p>\n

13:40 \u2013 14:00 Discussion<\/b><\/p>\n

14:00 \u2013 15:00 Lunch break<\/b><\/p>\n

15:00\u00a0\u00a0 Kate\u0159ina Nov\u00e1<\/b><\/p>\n

Prague, National Museum, Charles University<\/p>\n

Anton\u00edn Dvo\u0159\u00e1k in the Mirror of Politics<\/b><\/p>\n

15:20\u00a0\u00a0 Tihana Lueti\u0107<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the Croatian History<\/p>\n

Music as Part of Croatian Students\u2019 Leisure at the End of the Nineteenth and the Beginning of the Twentieth Centuries<\/b><\/p>\n

15:40\u00a0\u00a0 William A. Everett<\/b><\/p>\n

Kansas City, University of Missouri<\/p>\n

George Edwardes and the Networking of Musical Comedy at the Twilight of the Nineteenth Century<\/b><\/p>\n

16:00\u00a0\u00a0 Clemens Gubsch<\/b><\/p>\n

Vienna, Austrian Academy of Sciences \u2013 Austrian Centre for Digital Humanities and Cultural Heritage, Department of Musicology, PhD student<\/p>\n

Anton Bruckner as Teacher<\/b><\/p>\n

16:20 \u2013 16:40 Discussion<\/b><\/p>\n

SATURDAY, 5 June 2021<\/b><\/p>\n

PUBLISHERS, INSTITUTIONS AND CITIES<\/b><\/p>\n

9:00\u00a0\u00a0\u00a0\u00a0 P\u00e9ter Boz\u00f3<\/b><\/p>\n

Budapest, Research Centre for the Humanities, Institute for Musicology<\/p>\n

Operetta in the Budapest Folk Theater: Jen\u0151 R\u00e1kosi and his Network for Vernacularizing an International Musico-Theatrical Genre<\/b><\/p>\n

9:20 \u00a0\u00a0\u00a0 Peter Ru\u0161\u010din<\/b><\/p>\n

Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n

The Role of \u201cMatica slovensk\u00e1\u201d and St. Adalberts Association in the Collection of Slovak Catholic Hymns in the Second Half of the 19th Century<\/b><\/p>\n

9:40\u00a0\u00a0\u00a0\u00a0 Marija Beni\u0107 Zovko<\/b><\/p>\n

Zagreb, Vatroslav Lisinski Music School, PhD student<\/p>\n

Annual Reports of the Croatian National Institute: Tracing the Music-Pedagogical Practice of the Second Half of the 19th Century<\/b><\/em><\/p>\n

10:00\u00a0\u00a0 Andrea Daru<\/b><\/p>\n

Budapest, E\u00f6tv\u00f6s L\u00f3r\u00e1nd University, PhD student<\/b><\/p>\n

Social and Institutional Backgrounds to the Establishment of the Liszt Ferenc Academy of Music in Budapest<\/b><\/b><\/p>\n

10:20\u00a0\u00a0 Lucija Konfic<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n

Franjo Ks. Kuha\u010d and Kri\u017eevci<\/b><\/p>\n

10:40\u00a0\u00a0 Domagoj Mari\u0107<\/b><\/p>\n

Zagreb, Ministry of Foreign and European Affairs of the Republic of Croatia, PhD student<\/p>\n

Zagreb \u201cHistoric Concerts\u201d from 1916 through the Prism of the Networking of Young Musicians<\/b><\/p>\n

11:00\u00a0\u00a0 Inja Stanovi\u0107<\/b><\/p>\n

University of Huddersfield<\/p>\n

Julius Block\u2019s Cylinder Collection: Masterpieces of Music Networking<\/b><\/p>\n

\u00a0<\/b><\/p>\n

11:20 \u2013 11:35 Discussion <\/b><\/p>\n

11:35 \u2013 12:00 Refreshment<\/b><\/p>\n

12:00\u00a0\u00a0 Nicolae Gheorghi<\/b>\u021b\u0103<\/b><\/p>\n

Bucharest, National University of Music<\/p>\n

Byzantine Chant Printings and Their Musical Network in the Romanian Principalities, the Balkans and Constantinople during the First Half of the 19th Century<\/b><\/p>\n

12:20\u00a0\u00a0 Sara Ries<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music, PhD student<\/p>\n

Franjo Ks. Kuha\u010d in the Network of His Publishers<\/b><\/p>\n

12:40\u00a0\u00a0 Haiganu\u015f Preda-Schimek<\/b><\/p>\n

Vienna, Independent researcher<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Regional-related Music in H.F. M\u00fcller\u2019s Publishing House<\/b><\/p>\n

13: 00\u00a0 Stefanie Liang<\/b><\/p>\n

Graz, University of Music and Performing Arts, student<\/p>\n

A Case Study – Leoncavallo’s Opera\u00a0I Pagliacci<\/i>: The Correspondence between the Composer Ruggero Leoncavallo and the Music Publisher Edoardo Sonzogno<\/b><\/b><\/p>\n

13:20\u00a0\u00a0 Lili Veronika B\u00e9k\u00e9ssy<\/b><\/p>\n

Budapest, Research Centre for the Humanities, Institute for Musicology, PhD student<\/p>\n

The <\/b>Erzs\u00e9bet-eml\u00e9ny<\/i><\/b> Piano Album and the Network behind It<\/b><\/p>\n

13:40 Clemens Kreutzfeld<\/b><\/p>\n

Vienna, University of Music and Performing Arts, Dept. for Musicology and Performance Studies, PhD student<\/p>\n

Music Stores in Antebellum Boston as Spaces of Transatlantic Networking <\/b><\/p>\n

\u00a0<\/b>14:00 \u2013 14:30 General discussion<\/b><\/p>\n

\"Musical_Networking_pozadina_drugo[47917]_01-2\"<\/a><\/p>\n

Organisers:<\/b><\/p>\n

Dept. for the History of Croatian Music, Croatian Academy of Sciences and Arts, Zagreb<\/b><\/p>\n

Croatian Institute for History, Zagreb<\/b><\/p>\n

Croatian Musicological Society, Zagreb<\/b><\/p>\n

<\/b>Committee:<\/b><\/p>\n

Ivana Horbec, Croatian Institute for History<\/b><\/p>\n

Vjera Katalini\u0107, Croatian Academy of Sciences and Arts<\/b><\/p>\n

Katja Rado\u0161-Perkovi\u0107, University of Zagreb<\/b><\/p>\n

Sara Ries, Croatian Academy of Sciences and Arts, secretary<\/b><\/p>\n

Stanislav Tuksar, Croatian Academy of Sciences and Arts<\/b><\/p>\n

\u00a0<\/b>\u00a0<\/b><\/p>\n

MUSICAL NETWORKING IN THE \u2018LONG 19TH CENTURY\u2019<\/b><\/p>\n

International Interdisciplinary Online Conference<\/b><\/p>\n

Programme<\/b><\/p>\n

WEDNESDAY, 2 June 2021<\/b><\/p>\n

9:00\u00a0Welcome Speeches<\/b><\/p>\n

\u00a0<\/b>KEYNOTE LECTURE<\/b><\/p>\n

9:30\u00a0\u00a0\u00a0\u00a0\u00a0Philipp Ther<\/b><\/p>\n

University of Vienna, Institute for East European History<\/p>\n

Haydn, Mozart, and Competing Musical Networks in the Late 18th Century<\/b><\/b><\/p>\n

NETWORKING<\/b><\/p>\n

10:00 \u00a0\u00a0Katja Rado\u0161-Perkovi\u0107<\/b><\/p>\n

University of Zagreb, Faculty of Humanities and Social Sciences, Dept. of Italian Studies<\/p>\n

Sorgo’s Italian Network. The Ramifications Based on His Viennese Journal<\/b><\/p>\n

10:20\u00a0\u00a0 Ivana Horbec \u2013 Branko Ostajmer<\/b><\/p>\n

Zagreb, Croatian Institute for History<\/p>\n

The Challenges of Communication in Musical Networking of the Habsburg Monarchy: The Centres of Society and the (Semi)Periphery<\/b><\/p>\n

10:40 \u00a0\u00a0Jana Laslav\u00edkov\u00e1<\/b><\/p>\n

Bratislava, Slovak Academy of Sciences, Institute of the History<\/p>\n

From the Metropolis to the Province: Theatre Companies as a Medium of Musical Networks in the Habsburg Monarchy at the End of the 19th Century<\/b><\/p>\n

11:00 \u00a0\u00a0Vjera Katalini\u0107<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n

Zagreb Theatre in the Network of German (Musical) Stages<\/b><\/p>\n

11:20\u00a0\u00a0\u00a0Nuppu Koivisto \u2013 Saijaleena Rantanen<\/b><\/p>\n

Helsinki, University of the Arts<\/p>\n

Cosmopolitan Vyborg: A Lost Finnish Cultural City in the 1900s<\/b><\/p>\n

11:40 \u2013 12:00\u00a0Discussion<\/b><\/p>\n

12:00 \u2013 12:20 Refreshment<\/b><\/p>\n

12:20\u00a0\u00a0\u00a0Stanislav Tuksar<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts<\/p>\n

Franjo Ksaver Kuha\u010d (1834-1911) and His Hungarian Musical Network<\/b><\/p>\n

12:40\u00a0\u00a0 Viktor Velek<\/b><\/p>\n

University of Ostrava, Faculty of Fine Arts and Music<\/p>\n

Vienna: A Place for Musical Networking of Slavs in the \u201cLong\u201d 19th Century<\/b><\/p>\n

13:00\u00a0\u00a0\u00a0\u00a0Maru\u0161a Zupan\u010di\u010d<\/b><\/p>\n

Ljubljana, Research Centre of the Slovenian Academy of Sciences and Arts, Institute of Musicology<\/p>\n

The Musical Network of the \u201cImmigrant Musicians\u201d of the Philharmonic Society in Ljubljana until 1919<\/b><\/p>\n

13:20\u00a0\u00a0\u00a0Emese S\u00f3falvi<\/b><\/p>\n

Cluj-Napoca, Babe\u0219-Bolyai University, Faculty of Reformed Theology and Music, Music Department<\/p>\n

\u201cMusicus ex Austria\u201d: Georg Ruzitska\u2019s Links to Viennese and Transylvanian Society<\/b><\/p>\n

13:40\u00a0\u00a0\u00a0Tom\u00e1\u0161 Slavick\u00fd<\/b><\/p>\n

Prague, National Museum \u2013 Czech Museum of Music<\/p>\n

The Network of Austrian Military Bands and Czech Musicians in the South of the Monarchy<\/b><\/p>\n

14:00 \u2013 14:15\u00a0Discussion<\/b><\/p>\n

14:15 \u2013 15:00 Lunch break<\/b><\/p>\n

15:00\u00a0\u00a0\u00a0Walter Kurt Kreyszig<\/b><\/p>\n

Saskatoon, University of Saskatchewan, Department of Music \/ Genoa, Conservatorio di musica Niccol\u00f2 Paganini<\/p>\n

Musical Networking in the Long 19th Century between Austria and Canada: Th\u00e9odore Fr\u00e9d\u00e9ric Molt\u2019s Visit with Ludwig van Beethoven in Vienna in Mid-December 1825 as the Beginning of the Beethoven-Reception in Canada<\/b><\/p>\n

PERFORMERS<\/b><\/p>\n

15:20\u00a0\u00a0 Patrick Becker-Naydenov<\/b><\/p>\n

Berlin University of the Arts<\/p>\n

Devil or Priest? Virtuosi in the German Musicological Imagination<\/b><\/p>\n

15:40\u00a0\u00a0 Clare Beesley<\/b><\/p>\n

University of Utrecht, PhD student<\/p>\n

The Art of Persuasion \u2013 an Entrepreneurial Glass Harmonica Player and Her Network of Eminent Influencers<\/b><\/p>\n

16:00\u00a0\u00a0\u00a0Lana \u0160ehovi\u0107 Pa\u0107uka<\/b><\/p>\n

Sarajevo, Academy of Music<\/p>\n

Promenade of Croatian Guest Female Musicians through Sarajevo Concert Life (1878 \u2013 1918)<\/b><\/p>\n

16:20\u00a0\u00a0 Christian Breternitz<\/b><\/p>\n

Berlin, Staatliches Institut f\u00fcr Musikforschung Preu\u00dfischer Kulturbesitz<\/p>\n

Wagner Tuba & Co. \u2013 Richard Wagner and His Imagining of New Instruments. A Story of Musical Networking?<\/b><\/p>\n

16:40 \u2013 17:00\u00a0Discussion<\/b><\/p>\n

THURSDAY, 3 June 2021<\/b><\/p>\n

WORKSHOP<\/b><\/p>\n

10:00 \u2013 12:00<\/p>\n

Maru\u0161a Zupan\u010di\u010d<\/b>\u00a0presents a part of her project \u201cInflux of musicians to the Slovene Lands during the long 19th century – their impact and integration\u201d<\/p>\n

Pim van Bree \u2013 Geert Kessels<\/b><\/p>\n

Den Haag, LAB1100<\/p>\n

nodegoat Workshop<\/b><\/p>\n

10:00 Welcome by Maru\u0161a Zupan\u010di\u010d<\/p>\n

10:10 General introduction to\u00a0nodegoat<\/b><\/p>\n

10:30 Presentation by Maru\u0161a Zupan\u010di\u010d on her\u00a0nodegoat<\/b>\u00a0project<\/p>\n

10:45 Learn how to enter data into\u00a0nodegoat<\/b><\/p>\n

11:00 Break<\/b><\/b><\/p>\n

11:10 Learn how to conceptualise a data model<\/p>\n

11:20 Learn how to implement your data model in\u00a0nodegoat<\/b><\/p>\n

11:35 Import & Export<\/p>\n

11:50 Q&A<\/p>\n

<\/b>FRIDAY, 4 June 2021<\/b><\/p>\n

9:00\u00a0\u00a0\u00a0\u00a0 KEYNOTE LECTURE<\/b><\/p>\n

Harry White<\/b><\/p>\n

University College Dublin<\/p>\n

Lessons of the Masters<\/i><\/b>: Networking the Authority of Genre in Nineteenth-Century Music<\/b><\/p>\n

COMPOSERS, TEACHERS, STYLES<\/b><\/p>\n

9:30\u00a0\u00a0\u00a0\u00a0\u00a0Petra Babi\u0107<\/b><\/p>\n

Zagreb, Independent researcher, PhD student<\/p>\n

Croatian and Hungarian National-Historical Operas as Mediums of Political Representation in Different Political Periods<\/b><\/p>\n

9:50\u00a0\u00a0\u00a0\u00a0\u00a0Yasushi Ueda<\/b><\/p>\n

Tokyo University of the Arts<\/p>\n

Constructions of the Image of the \u201cjeu perl\u00e9\u201d for Piano through the Nineteenth Century<\/b><\/p>\n

10:10\u00a0\u00a0\u00a0Tatjana \u010cunko<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n

The Paths of the\u00a0Moderne<\/i>\u00a0or how did the\u00a0Moderne<\/i>\u00a0Come to Croatia?<\/b><\/p>\n

10:30\u00a0\u00a0\u00a0John Chun-fai Lam<\/b><\/p>\n

The Chinese University of Hong Kong<\/p>\n

Strings of Sensibility:\u00a0<\/b>Shamisen<\/i><\/b>\u00a0and Franco-Japanese Musical Dynamics in Maurice Ravel\u2019s Milieu<\/b><\/p>\n

10:50\u00a0\u00a0\u00a0Ivan Moody<\/b><\/p>\n

NOVA University of Lisbon, Centre for Sociology and Musical Aesthetics<\/b><\/p>\n

From Liszt to Lusitania: Networks of Influence in the Life of Jos\u00e9 Vianna da Motta<\/b><\/p>\n

11:10\u00a0\u00a0\u00a0Ivana Tomi\u0107 Feri\u0107 \u2013 Maja Milo\u0161evi\u0107 Cari\u0107<\/b><\/p>\n

University of Split, The Arts Academy<\/p>\n

The Activity of Ambro Novak (1899\u20131947) in the Field of Music Criticism: Contemporary Readings and Reflections<\/b><\/p>\n

11:30 \u2013 11:40\u00a0Discussion<\/b><\/p>\n

11:40 \u2013 12:00 Refreshment<\/b><\/p>\n

12:00\u00a0\u00a0\u00a0Jana Lengov\u00e1<\/b><\/p>\n

Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n

The Slovak Composer J\u00e1n Levoslav Bella and His Study Trip of the Autumn of 1873<\/b><\/p>\n

12:20\u00a0\u00a0\u00a0Anna Belinszky<\/b><\/p>\n

Budapest, Liszt Ferenc Academy of Music, PhD student<\/p>\n

The Meanings of Change \u2013 Brahms\u2019s Musical Friendships and the Rewriting of His Piano Trio in B major<\/b><\/p>\n

12:40\u00a0\u00a0\u00a0Andrej \u010cepec<\/b><\/p>\n

Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n

Johann Nepomuk Batka as Music Teacher and Concert Performer<\/b><\/p>\n

13:00\u00a0\u00a0\u00a0Lis Lewis<\/b><\/p>\n

Winchester University, Centre for the History of Women’s Education<\/p>\n

Charles Nicholson\u2019s Nineteenth-Century London Flute Networks<\/b><\/p>\n

13:20\u00a0\u00a0\u00a0\u00c1kos Windhager<\/b><\/p>\n

Budapest, Hungarian Academy of Arts, Research Institute of Art Theory and Methodology<\/p>\n

The Institutionalization of Hungarian Music by \u2018Charismatic Managers\u2019: Franz Liszt, Ferenc Erkel, \u00d6d\u00f6n Mihalovich<\/b><\/p>\n

13:40 \u2013 14:00\u00a0Discussion<\/b><\/p>\n

14:00 \u2013 15:00 Lunch break<\/b><\/p>\n

15:00\u00a0\u00a0\u00a0Kate\u0159ina Nov\u00e1<\/b><\/p>\n

Prague, National Museum, Charles University<\/p>\n

Anton\u00edn Dvo\u0159\u00e1k in the Mirror of Politics<\/b><\/p>\n

15:20\u00a0\u00a0\u00a0Tihana Lueti\u0107<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the Croatian History<\/p>\n

Music as Part of Croatian Students\u2019 Leisure at the End of the Nineteenth and the Beginning of the Twentieth Centuries<\/b><\/p>\n

15:40\u00a0\u00a0 William A. Everett<\/b><\/p>\n

Kansas City, University of Missouri<\/p>\n

George Edwardes and the Networking of Musical Comedy at the Twilight of the Nineteenth Century<\/b><\/p>\n

16:00\u00a0\u00a0\u00a0Clemens Gubsch<\/b><\/p>\n

Vienna, Austrian Academy of Sciences \u2013 Austrian Centre for Digital Humanities and Cultural Heritage, Department of Musicology, PhD student<\/p>\n

Anton Bruckner as Teacher<\/b><\/p>\n

16:20 \u2013 16:40\u00a0Discussion<\/b><\/p>\n

SATURDAY, 5 June 2021<\/b><\/p>\n

PUBLISHERS, INSTITUTIONS AND CITIES<\/b><\/p>\n

9:00\u00a0\u00a0\u00a0\u00a0\u00a0P\u00e9ter Boz\u00f3<\/b><\/p>\n

Budapest, Research Centre for the Humanities, Institute for Musicology<\/p>\n

Operetta in the Budapest Folk Theater: Jen\u0151 R\u00e1kosi and his Network for Vernacularizing an International Musico-Theatrical Genre<\/b><\/p>\n

9:20 \u00a0\u00a0\u00a0\u00a0Peter Ru\u0161\u010din<\/b><\/p>\n

Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n

The Role of \u201cMatica slovensk\u00e1\u201d and St. Adalberts Association in the Collection of Slovak Catholic Hymns in the Second Half of the 19th Century<\/b><\/p>\n

9:40\u00a0\u00a0\u00a0\u00a0\u00a0Marija Beni\u0107 Zovko<\/b><\/p>\n

Zagreb, Vatroslav Lisinski Music School, PhD student<\/p>\n

Annual Reports of the Croatian National Institute: Tracing the Music-Pedagogical Practice of the Second Half of the 19th Century<\/b><\/em><\/p>\n

10:00\u00a0\u00a0\u00a0Andrea Daru<\/b><\/p>\n

Budapest, E\u00f6tv\u00f6s L\u00f3r\u00e1nd University, PhD student<\/b><\/p>\n

Social and Institutional Backgrounds to the Establishment of the Liszt Ferenc Academy of Music in Budapest<\/b><\/b><\/p>\n

10:20\u00a0\u00a0\u00a0Lucija Konfic<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n

Franjo Ks. Kuha\u010d and Kri\u017eevci<\/b><\/p>\n

10:40\u00a0\u00a0 Domagoj Mari\u0107<\/b><\/p>\n

Zagreb, Ministry of Foreign and European Affairs of the Republic of Croatia, PhD student<\/p>\n

Zagreb \u201cHistoric Concerts\u201d from 1916 through the Prism of the Networking of Young Musicians<\/b><\/p>\n

11:00\u00a0\u00a0 Inja Stanovi\u0107<\/b><\/p>\n

University of Huddersfield<\/p>\n

Julius Block\u2019s Cylinder Collection: Masterpieces of Music Networking<\/b><\/p>\n

\u00a0<\/b><\/p>\n

11:20 \u2013 11:35\u00a0Discussion<\/b><\/p>\n

11:35 \u2013 12:00 Refreshment<\/b><\/p>\n

12:00\u00a0\u00a0\u00a0Nicolae Gheorghi<\/b>\u021b\u0103<\/b><\/p>\n

Bucharest, National University of Music<\/p>\n

Byzantine Chant Printings and Their Musical Network in the Romanian Principalities, the Balkans and Constantinople during the First Half of the 19th Century<\/b><\/p>\n

12:20\u00a0\u00a0\u00a0Sara Ries<\/b><\/p>\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music, PhD student<\/p>\n

Franjo Ks. Kuha\u010d in the Network of His Publishers<\/b><\/p>\n

12:40\u00a0\u00a0\u00a0Haiganu\u015f Preda-Schimek<\/b><\/p>\n

Vienna, Independent researcher<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Regional-related Music in H.F. M\u00fcller\u2019s Publishing House<\/b><\/p>\n

13: 00\u00a0 Stefanie Liang<\/b><\/p>\n

Graz, University of Music and Performing Arts, student<\/p>\n

A Case Study – Leoncavallo’s Opera\u00a0I Pagliacci<\/i>: The Correspondence between the Composer Ruggero Leoncavallo and the Music Publisher Edoardo Sonzogno<\/b><\/b><\/p>\n

13:20\u00a0\u00a0 Lili Veronika B\u00e9k\u00e9ssy<\/b><\/p>\n

Budapest, Research Centre for the Humanities, Institute for Musicology, PhD student<\/p>\n

The\u00a0<\/b>Erzs\u00e9bet-eml\u00e9ny<\/i><\/b>\u00a0Piano Album and the Network behind It<\/b><\/p>\n

13:40\u00a0Clemens Kreutzfeld<\/b><\/p>\n

Vienna, University of Music and Performing Arts, Dept. for Musicology and Performance Studies, PhD student<\/p>\n

Music Stores in Antebellum Boston as Spaces of Transatlantic Networking<\/b><\/p>\n

\u00a0<\/b>14:00 \u2013 14:30 General discussion<\/b><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Organisers: Dept. for the History of Croatian Music, Croatian Academy of Sciences and Arts, Zagreb Croatian Institute for History, Zagreb Croatian Musicological Society, Zagreb \u00a0 Committee: Ivana Horbec, Croatian Institute for History Vjera Katalini\u0107, Croatian Academy of Sciences and Arts Katja Rado\u0161-Perkovi\u0107, University of Zagreb Sara Ries, Croatian Academy of Sciences and Arts, secretary Stanislav […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_angie_page":false,"page_builder":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[25],"tags":[],"class_list":["post-6003","post","type-post","status-publish","format-standard","hentry","category-najave-i-dogadanja"],"_links":{"self":[{"href":"https:\/\/www.hipzg.hr\/en\/wp-json\/wp\/v2\/posts\/6003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hipzg.hr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hipzg.hr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hipzg.hr\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hipzg.hr\/en\/wp-json\/wp\/v2\/comments?post=6003"}],"version-history":[{"count":0,"href":"https:\/\/www.hipzg.hr\/en\/wp-json\/wp\/v2\/posts\/6003\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.hipzg.hr\/en\/wp-json\/wp\/v2\/media?parent=6003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hipzg.hr\/en\/wp-json\/wp\/v2\/categories?post=6003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hipzg.hr\/en\/wp-json\/wp\/v2\/tags?post=6003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}